Although I officially returned from Dunya's blissful Dancemeditation Retreat on Thursday, June 24th, I officially count my return to the mundane world from Sunday because I took a brief weekend sojourn through the magical land of Jehan-world.
In spite of my foot injury, and in spite of the fact that I'd be gone right up until a few hours before opening night, Jehan asked me to dance in her spectacular Cirque Arabesque -- which was a vote of confidence I couldn't refuse.
My mission: Choreograph a routine with fellow amazonian dancer Jaklina (who, at 6'2" and size 8, and makes me look short and round) to complement six other numbers where 1 to 10 other dancers will be performing. This was a vote of confidence I could not refuse.
And somehow, through the use of video, internet and blind faith, we got it together for four amazing shows.
Now... about the Dancemeditation Retreat...
This was my third, for three years in a row ... in a nutshell, we dance for seven hours a day (four hours in the morning, and three in the evening) with a four-hour break.
During the break we rest, meditate, walk, swim, sometimes shop the local fare, maybe hit the internet (although we couldn't pick up a signal this year, and it was a pain to trudge up to the library for wireless).
And we eat -- all ultra-healthy, ultra-vegan, raw food.
Or we don't eat.
Often people will elect to fast, usually eating only watermelon. (Last year I made it through three watermelon fast days.)
But for a reason I never learned there was no watermelon this year, so fasters were confined to a diet of coconut water -- which turned out to be a lot less painlful than I'd imagined
In fact, the only pain was that I was missing all the tasty meals being served, so I only fasted for a day.
But I kind of enjoyed the fast, so I may buy a case of Zico at some point and fast a few days here and there during the summer (it's always better to fast during warmer weather).
The weirdest thing about the Retreat is how time bends, compresses and expands. Things that happened that morning seemed like ancient history; yet the days flew by.
Many times I wanted to blog, but didn't make it to the library.
So I've enabled email updates.
More on the Retreat later.
And my next post will be emailed.... :-)
and whatever else is on her mind.
Thank you for visiting!)
Showing posts with label Jehan. Show all posts
Showing posts with label Jehan. Show all posts
Wednesday, June 30, 2010
Saturday, December 5, 2009
Jerry & Dickey & Jehan at the Sullivan Room
This past Thursday, I had the transcendent delight to see Jehan perform with musical prestidigitators Jerry Bezdikian and Dick Barsamian at The Sullivan Room.

For those who have perhaps only heard of Jehan from her appearance on last year's season finale of Wife Swap, know this: She is a big deal in the bellydance world.
And I do mean a very Big Deal.
This is not simply because of her artistry and longevity as one of America's best bellydancers, but her power -- as a performer and as a person.
This was apparent even in the episode of what could have been a very cheesy show (bear in mind, I didn't know her much when I saw it), in which she was switched with straightlaced pig farmer Brandi Carmichael.
In the beginning -- most likely to create the strongest contrast with Brandi -- they attempted to portray Jehan as, frankly, a bit of a loon.
They went nuts with the bellydance scene... glitter, veils and candles everywhere (and, frankly, it is a bit like that).
But as the show progressed, and she impressed upon her adopted family the values of creativity, joy and relatedness, it was clear that she was no caricature to be trivialized and exploited; she was an extraordinary woman with an extraordinary message.
Now, before Thursday, I'd never seen her dance a full set. And from the beginning, she was nothing short of mesmerizing... beyond mesmerizing.
She was at times playful, seductive and serene -- but always powerfully compelling.
Imagine my surprise to learn afterwards that she'd been completely exhausted and dealing with a dastardly wardrobe-malfunction-waiting-to-happen.
She wrote to me the following day when I told her how she had enchanted the audience: "..this was a valiant effort, but a mere shadow of what I wanted to give... it was the best I could do that day but I am happy it reached people..."
So. That's Jehan.
Now. About Jerry and Dickey.
Those in the Middle Eastern Dance & Music community know Dickey for his music, and Jerry mostly from his photography, which has been his focus these past many years.
But earlier this year -- in fact, shortly after my photo session with him -- Jerry came out to see me dance at The Grisly Pear and ran into Dickey.
And they decided it was time for Jerry to break out his kanun once again; and what better person to break with than Dickey?
So, months later, and after a few false starts at other venues, their bi-weekly gig has found a beautiful home at The Sullivan Room in the Village.
And I'm so, so thrilled to have been there when it was first conceived... I was about to say I sort of felt like a midwife... but I think it's something else when you are there at conception... hmmmmm.... :-D
Hope to see you there (at The Sullivan Room, not at conception... well, maybe some of you... we'll tawk....)!!
For those who have perhaps only heard of Jehan from her appearance on last year's season finale of Wife Swap, know this: She is a big deal in the bellydance world.
And I do mean a very Big Deal.
This is not simply because of her artistry and longevity as one of America's best bellydancers, but her power -- as a performer and as a person.
This was apparent even in the episode of what could have been a very cheesy show (bear in mind, I didn't know her much when I saw it), in which she was switched with straightlaced pig farmer Brandi Carmichael.
In the beginning -- most likely to create the strongest contrast with Brandi -- they attempted to portray Jehan as, frankly, a bit of a loon.
They went nuts with the bellydance scene... glitter, veils and candles everywhere (and, frankly, it is a bit like that).
But as the show progressed, and she impressed upon her adopted family the values of creativity, joy and relatedness, it was clear that she was no caricature to be trivialized and exploited; she was an extraordinary woman with an extraordinary message.
Now, before Thursday, I'd never seen her dance a full set. And from the beginning, she was nothing short of mesmerizing... beyond mesmerizing.
She was at times playful, seductive and serene -- but always powerfully compelling.
Imagine my surprise to learn afterwards that she'd been completely exhausted and dealing with a dastardly wardrobe-malfunction-waiting-to-happen.
She wrote to me the following day when I told her how she had enchanted the audience: "..this was a valiant effort, but a mere shadow of what I wanted to give... it was the best I could do that day but I am happy it reached people..."
So. That's Jehan.
Now. About Jerry and Dickey.
Those in the Middle Eastern Dance & Music community know Dickey for his music, and Jerry mostly from his photography, which has been his focus these past many years.
But earlier this year -- in fact, shortly after my photo session with him -- Jerry came out to see me dance at The Grisly Pear and ran into Dickey.
And they decided it was time for Jerry to break out his kanun once again; and what better person to break with than Dickey?
So, months later, and after a few false starts at other venues, their bi-weekly gig has found a beautiful home at The Sullivan Room in the Village.
And I'm so, so thrilled to have been there when it was first conceived... I was about to say I sort of felt like a midwife... but I think it's something else when you are there at conception... hmmmmm.... :-D
Hope to see you there (at The Sullivan Room, not at conception... well, maybe some of you... we'll tawk....)!!
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