Monday, December 21, 2009

Rockefeller Center Security Guard -- Drunk on Holiday Power?

They say absolute power corrupts absolutely -- but petty authority is far more dangerous, in that it is pervasive, insidious and wreaks its damage not as the single blow that brings down the house; rather it's the nibbling vermin that shreds the structure from within.

And a verminous mouth nibbled me today.

Now, bear in mind, I'm no fan of security guards.

Often underpaid and desperately underqualified -- especially after the post-9-11security frenzy -- they manage to make me feel safe and threatened at the same time.

In the wake of 9-11, as security in one form or another was ubiquitous, stories of abuses were rampant, as guards made a sport of fondling, bullying and otherwise victimizing air travellers.

In the past few years, thankfully, this has abated.

But every once in a while, in a high-profile, high-volume situation -- like Rockefeller Center at Christmastime -- security gets a tad overzealous. And I start to wonder if we're heading back down that slippery slope.

So today, as I headed back from a lunchtime gig at the United Nations, I trudged through the 4pm crowd around the Rockefeller Center ice skating rink.

I had done a sword routine for the show, and carried the prop in a shoulder bag that is too short, so the hilt sticks out of the top corner.

Bear in mind, I had passed through UN Security without even a nod, and weaved my way through gaggles of NYPD without a second look.

According to my pal in the NYPD, "Legally, under NYC Admin Code, section 10-133, possession of a knife with a blade longer than 4 inches is illegal. No intent, no recklessness, not even not having knowledge that you possessed it. Up to 15 days in jail."

And, if indeed, this item were a "blade" it would have had a sharp edge and a point.

But it doesn't.

This "blade" is a clumsy, blunt, bronze scimitar -- perfect for balancing on my head...

World Exotica 2

... and not much else.

It's less threatening as a golf club -- a fact obvious to the NYPD and UN Security.

(It is refreshing to know that SOME people in authority can recognize a theatrical prop when they see one.)

But not so at Rockefeller Center.

Somewhere along the northern path above the rink I became aware of a tall, wiry, middle-aged black man walking next to me.

"Hey, is that real?" he asked with a hint of a chuckle, in the way that men do when they are hitting on me.

I ignored him.

"Is that real?" he asked again as we walked up the staircase in front of 30 Rock.

"It depends on what you mean by real," I finally answered.

"No, seriously. Is it plastic or something?"

I made a "WTF?" face and turned away.

"It's bronze," I said, flatly.

Then he grabbed the handle of the sword, trying to pull it from my bag.

I snatched it away. "Please don't touch that!" I spat and yanked it and myself back.

He didn't say anything else, but held up a walkie talkie and said, "Person of suspect is heading... "

I moved quickly across 50th Street, heading in a panic towards the Swarowski booth.

So.

Not the most terrifying encounter; but enough to scare me with images of being hauled off to some security desk, made to wait, bullied, harassed, whatever.

And then what do I say when I finally make it back to work?

(OK, they're pretty nice at my job, so it probably wouldn't have been an issue -- but still...!)

Then I thought about the incident, and how completely inappropriate his behavior was, for two striking reasons:

(1) He did not identify himself to me as a guard; indeed if he had touched my person rather than my prop, I would have socked him one in the jaw;

(2) He should never have touched my person or my prop at all!

So. How to handle this?

Well, I fumed about it at first.... posted it in my facebook, gnashed my teeth at a few tolerant friends.

And finally I decided to do something about it.

I found the concierge number on the Rockefeller Center website and asked to speak to security, explaining that I'd had an incident with a security guard.

The receptionist apologized and forwarded my call.

I repeated the story to a guard who seemed genuinely surprised by the offending guard's behavior. "Yeah," he said, "He definitely should not have done that."

He alerted the supervisor of my call and took details -- time, location, events, physical description. "Hmm.." he said as I described the guard, "That doesn't sound like one of our team."

He explained, "It's not just our guys out there... there's Fifth Avenue security, some NYPD..."

The supervisor became available and took the call.

I repeated many of the details and he, too, asked for a more detailed physical description.

I did my best: taller than me (about 6'3"?), late 40s to 50s, caramel skin, glasses, dark jacket and pants, dark hat, walkie talkie.

He had some kind of badge on his left side, but he had grabbed me with his right hand, so the left side was away from me. And I wanted to get away from him.

The supervisor expressed his apologies and said he would do his best to address the issue.

I thanked him for his time and hung up feeling not entirely resolved.

Perhaps I should have asked the supervisor the best way to have handled that situation.

Should I have stopped and faced him dead-on? Would that have left me more vulnerable?

Probably. Yes, I think so.

And that is the biggest problem here.

The petty authoritarians have their tiny taste of power, and are chomping at the bit to use it. And if you are on the receiving end of their unwanted attentions, it will rarely turn out well for you.

If you decide to stand your ground and fight back, then occasionally you can help ferret some bad ones out (if, indeed, the higher-ups are even interested in doing any ferreting -- and making such an assumption is in itself extremely risky).

And if I had been not been running late, I might have done that.

But in this case -- and in the case of many of us who are confronted with petty authority bullshit -- we just want to get on with our lives, make whatever obeisance these assholes want to let us be on our way.

And perhaps that is precisely what gets them off.....

My guess was that this scumbag knew very well that the sword was not a problem, and that he was, indeed, using its presence as an excuse to hit on me.

So.

To be continued.

Maybe.

Tuesday, December 8, 2009

Some More About Jerry....

Years ago, when I had just begun to take bellydance as a means of healing from an agonizing back injury, my teacher at that time, Darshan, invited me to see her perform at Mezzo Mezzo.

When I arrived, I saw a poster in the window with this astonishing image of my teacher:

Headshot 1

I'd thought she was quite lovely in class, but this was a whole 'nuther level of radiant gorgeousness.

At that time, my only interest in bellydance was for exercise.

The very concept of my pursuing it seriously as a professional art, given my size, age, lack of serious dance training, and more disqualifiers than I could list ... it was, well, inconceivable for me ... even more so as I gaped at this poster, thinking, "That could never, ever, ever be me."

The image stuck with me, though, as did Darshan's performance that night.

On a superficial level... yes, she was beautiful and graceful, as well as an engaging performer.

But there was something else, something about the dance itself that struck and engaged my cement-cold aching viscera.

There was something about this dance ... the way it honors and celebrates the body -- a woman's body -- in its natural state, that brought out inarticulable levels of beauty in this already very beautiful woman.

And it occured to me that the image was not merely the working of a skillful artist making his subject into some hairy-fairy image of conventional gorgeousness.

Rather, he brought out the very depth of loveliness I saw in her dance.

"Usually my images are not of dancers dancing," the photographer, Jerry Bezdikian, told me years later, "They are of dancers dreaming of the dance."

Over those years, I did dream of dancing; and I dreamed of growing enough as a person, a dancer, and a woman, to embody that very essence.

As luck had it, Jerry happened to attend one of my performances earlier this year.

I spoke to him afterwards and, to my shock, he liked my work.

And we got to talking... and I told him that I'd enjoyed his work for years, but didn't think I was "good enough" to pose for him.

And he told me I was out of my f**king mind.

We scheduled a shoot the next day.

Below are some of the extraordinary images he created from that threefold session: One outdoor, in plainclothes (for acting and comedy), and one for bellydance.

And so, without further ado... Enjoy!!

From the indoor session...

A headshot:

Headshot 1

And these stunning works of art:

Portrait 2

Portrait 1

From the outdoor session:

Headshot 2

Mid-Length Headshot !

Note the sharpened foreground and gently blurred background -- not an easy effect!

This design was inspired by a Portuguese song, "Beijo de Saudade" -- "Kiss of Longing":

new.music.yahoo.com/ana-maria/tracks/beijo-de-saudade--17...

Beijo de Saudade

And, of course, there is this stunner, which he used for the breathtaking design for PURE Pandemonium:

Bellydance Portriat

(My make-up, incidentally, was done by the incomparable Jade ElHaddad.)

To see more of Jerry's work, please go to his website, or check out his galleries on Facebook.

And THANK YOU, JERRY!!

Saturday, December 5, 2009

Jerry & Dickey & Jehan at the Sullivan Room

This past Thursday, I had the transcendent delight to see Jehan perform with musical prestidigitators Jerry Bezdikian and Dick Barsamian at The Sullivan Room.

Jehan at the Sullivan Room Thurs Dec 3

For those who have perhaps only heard of Jehan from her appearance on last year's season finale of Wife Swap, know this: She is a big deal in the bellydance world.

And I do mean a very Big Deal.

This is not simply because of her artistry and longevity as one of America's best bellydancers, but her power -- as a performer and as a person.

This was apparent even in the episode of what could have been a very cheesy show (bear in mind, I didn't know her much when I saw it), in which she was switched with straightlaced pig farmer Brandi Carmichael.

In the beginning -- most likely to create the strongest contrast with Brandi -- they attempted to portray Jehan as, frankly, a bit of a loon.

They went nuts with the bellydance scene... glitter, veils and candles everywhere (and, frankly, it is a bit like that).

But as the show progressed, and she impressed upon her adopted family the values of creativity, joy and relatedness, it was clear that she was no caricature to be trivialized and exploited; she was an extraordinary woman with an extraordinary message.

Now, before Thursday, I'd never seen her dance a full set. And from the beginning, she was nothing short of mesmerizing... beyond mesmerizing.

She was at times playful, seductive and serene -- but always powerfully compelling.

Imagine my surprise to learn afterwards that she'd been completely exhausted and dealing with a dastardly wardrobe-malfunction-waiting-to-happen.

She wrote to me the following day when I told her how she had enchanted the audience: "..this was a valiant effort, but a mere shadow of what I wanted to give... it was the best I could do that day but I am happy it reached people..."

So. That's Jehan.

Now. About Jerry and Dickey.

Those in the Middle Eastern Dance & Music community know Dickey for his music, and Jerry mostly from his photography, which has been his focus these past many years.

But earlier this year -- in fact, shortly after my photo session with him -- Jerry came out to see me dance at The Grisly Pear and ran into Dickey.

And they decided it was time for Jerry to break out his kanun once again; and what better person to break with than Dickey?

So, months later, and after a few false starts at other venues, their bi-weekly gig has found a beautiful home at The Sullivan Room in the Village.

And I'm so, so thrilled to have been there when it was first conceived... I was about to say I sort of felt like a midwife... but I think it's something else when you are there at conception... hmmmmm.... :-D

Hope to see you there (at The Sullivan Room, not at conception... well, maybe some of you... we'll tawk....)!!

Wednesday, December 2, 2009

Friends With Benefits -- Part Three

Been busier than ever, getting ready for my double-header this Sunday, 12/6 (acting at the Barrow Group at 3pm, and dancing in Ranya's Holiday Gala at Lafayette Grill at 7pm) ...

... AND ...

...another double-header on Thursday, 12/10 (doing stand-up at Broadway Comedy at 6:30pm and dancing in Dalia Carella's Holiday Party at Je'Bon at 7:30pm).

See my Schedule Module on the right for detials... But here is Dalia's gorgeous flyer:

Flyer for Dalia Carella's Holiday Party & Benefit

I will also probably be performing in yet another Artistic New Directions benefit in February... but more on that later!

In the meantime, I know what you really want is PHOTOS, PHOTOS, PHOTOS.... (Special thanks, once again, to the lovely Cynthia Boucher for sharing her photographic talents).

When last we saw our valiant Pandemoniators (Pandemoniatricies??), the stunning Thalia....

Thalia 4

...fluttered her belly and shook her booty.... (she is a goddess of the bellyroll, by the way)

IMG_7284b

Next up, the ever-glamorous Jaida...

Jaida 1

... and her divine double-veil...

Jaida 3

Jaida 10

Next, Lourdes got super-serious with a Chinese veil-and-fan dance...

Lourdes 3

And a little Kung-Fu Fighting!

Lourdes 5

One Dangerous Dancer followed another... as the fire-spinning burlesque goddess Masae ...

Masae 4

... shook a tail feather...

Masae 9

.. and raised the roof! (Roof! Roof! Roof!)

Masae 11

Balinese Diva Natasha graced the stage in full Leogong ...

Natasha 1

... and magic fingers ...

Natasha 9

Mime legend Richmond Shepard got silly...

Richmond Shepard 1

... with a touch of old-school debonair ...

Richmond Shepard 4

This was one of my favorite moments in the evening.

As part of his Stand-Up Mime routine (yes, stand-up ... as in verbal), he recites Lewis Carroll's Jabberwocky, and enacts the absurd text with even more absurd and brilliant movement.

When he does this routine in his own show, he has the poem printed on the back of the program and the audience recites it with him.

When there is no program, he asks anyone who happens to know it to recite it with him.

"In a crowd of fifty," he told me after the show, "maybe there will be one or two."

In Pandemonium -- over a dozen!!

Yeah baby!

Tuesday, November 17, 2009

Friends With Benefits -- Part Two

Cynthia has been on a photograpic roll, sending me Pandemonium pics faster than I can go through them.

But stay tuned... They will soon be added to my Flickr page, and then blogged about here.

In the meantime, I wanted to respond to the many comments and praise that has come in about the spectacular Pandemonium line-up -- in particular, many of you have asked about these artists' upcoming work and online material.

First up:

The inimitable Brian Carter...



... whose deliciously funny song Your Hair was the surprise hit of the evening (tho I told him it would be!!).

And you can dowload this fabulous tune from CD Baby for only 99 cents!

Next up: Mr. Mike "G-licious" Gianelli himself!



This Sunday, November 21st, he'll be performing his one-man show at The Pit:

Mike Giannelli: Bad Advice from Both Sides of the Border
A one-man show with three people.
Make a mistake every once in while.

With Ana Bellinghausen and Lucia Brizzi.

4:30 pm, Saturday, November 21
The People’s Improv Theater (“The PIT”)
154 West 29th Street, between 6th & 7th Avenues
$5

The lovely comedienne Sheba Mason will be performing this

Friday, November 20 @ 10pm at
The New York Comedy Club
241 E 24th Street, NYC
212-696-5233
$10 Cover
2-drink minimum

Next up, the legendary stand-up mime, Richmond Shepard joins the stunning Leslie E. Hughes in the quirky, witty and all-around delightful comedy Lord Buckley and Marilyn (yes that Marilyn).

Remaining performances are:

Thursday through Saturday: 17, 18, 19, 20 & 21 @ 8pm
and Friday & Saturday 27 & 28 @ 8:00 p.m.
Richmond Shepard Theatre
309 E. 26 Street @ 2 Avenue
212/684-2690, $18, Stud/Sen $10
(tell them you are Tandava's student for the discount... :-D )

And lastly, the phenomenal Akim Funk Buddha will be doing a double-header for BAMcafé Live during Thanksgiving weekend.

Friday, November 27th @ 10pm
Hip Hop Holiday I: Back to the Essence
The Art of Scratching on Turntables to Urban Mythology & Fables

Saturday, November 28th
Hip Hop Holiday II: Cultural Collisions the Funk Buddha Chamber Orchestra
The Boom Box Journey Continues

Brooklyn Academy of Music

See you there!!

Friday, November 13, 2009

Friends With Benefits -- Part One

Has it really been two weeks since PURE Pandemonium??

In some ways it feels like it was just last night... in others, it seems ages ago. But either way, it was an evening I will never forget!

I was so touched and impressed by the performances of my talented friends, and by the huge turnout of friends.

For the first two hours, we had standing room only (or people sat on the floor and along the side of the stage!), even as a few tables cleared out at intermission, more guests arrived to take their place.

In all, the event was a huge success, raising over $800 for PURE in cash donations, and over $100 more in online and other donations!

It looks like we will reprise the show at Columbia University in April 2009, so if you would still like to make a donation, please make a donation on the PURE NYC website.

So.... after the premiere of PURE Reflections, I began to think about how, since I'd gotten back into comedy, theater and improvisation, I had an extraordinary assortment of insanely talented friends whose paths might never cross otherwise.

Inspired by my Improvisation Theater group, Artistic New Directions, which bridges diverse groups in the theater community, I wanted to create a multi-discipline event and hopefully inspire these amazing performers to connect with other fields.

Knowing many dancers would come out to support PURE, and knowing that my non-dancer friends would come out for my Big Birthday, it seemed the perfect opportunity to create a little pandemonic fusion.

And I got pretty pandemonic myself, dancing, emceeing, singing and doing comedy at points throughout the evening.

Starting the evening, in full costume...

Tandava 2

... I described my solo as "inspired by the elegant dances of Fred and Ginger" to a "classic song from the 30s..."

Tandava 4

Cocktails for Two... by Spike Jones!!

Tandava 8

For those who recall -- this is a reprise of my CringeFest dance earlier this year, demonstrating that bellydance could be a perfect fit for even the whackadoo soundeffects of Mr. Jones and his City Slickers -- Comedy-Bellydance Fusion. A ComFusion, if you will.....

Then my lovely friend Kisha took the stage...

Kisha 3

... for a stunning veil dance in white-and-black.

Artistic New Directions' Scotty Watson followed ....

Scotty Watson Gets a Lift

... with his infamous Ballet Routine.

Then the incomparable Moroccan musian/singer Rachid Halihal performed the first of three songs with drummers Brian Carter and Brad Mack.

Last year, Rachid was a guest teacher at one of Raquy's dumbek retreats, where he taught our stumbling tongues the words to a famous Arabic song, Ya Rayah.

To our surprise, I managed to learn the chorus by heart, and sung it with him... (!!!)

Tandava SINGS (*gasp*) with Rachid Halihal

Then the sublime Thalia entranced the audience to Batawannes Beek...

Thalia 1

... and that took us to about 8:40pm, with still so much show to go!

I'll post more photos as they become available (the lovely professional model-turned-photgrapher Cynthia Boucher has been sending in photos as they are ready).

Check my flickr set for updates: http://www.flickr.com/photos/tandavadance/4098282291

Ah, but th-th-that's not all folks!

In return for performing at my benefit, I agreed to perform at the benefit Scotty Watson was organizing the following week for Artistic New Directions -- making us truly Friends with Benefits (nyuck, nyuck).

The theme this year? Burlesque!

Now, I know for some bellydancers a few hackles are raised when these dance forms are combined -- but remember, quite a few bellydancers... um... go both ways :-D -- most notably, the divine Princess Farhana, but there are many others, including New York's Chicava and Masae -- both of whom agreed to do the benefit!

And what did I do?

Why, a sword dance, of course!

Tandava 3

For more photos, go to my Flickr Set.

Or check out Janice Goldberg's full set on Facebook.

Lots more going on... stay tuned!

Saturday, November 7, 2009

September-October Events Archive

Wednesday, September 9th @ 9pm
Performing Stand-Up Comedy at the Broadway Comedy Club
318 West 53rd Street (btw 8th & 9th Aves), NYC
212-757-2323
$10 cover/2-drink minimum

Friday, September 18th @ 7pm & 9pm
Dancing in PURE's Groundbreaking Dance-Theater Work
PURE Reflections: Beauty Reimagined
University Settlement
184 Eldridge Street, 2nd Floor, NYC
$20 at the door
$15 advance

Saturday, September 19th @ 4pm
Dancing in PURE NYC's Annual Procession
Starting at Columbus Circle, winding through the lower paths of Central Park, through Grand Army Plaza, down 59th Street to the Tram
Join us anywhere along the way!

Thursday, September 24th @ 7pm
Performing Stand-Up Comedy at the Broadway Comedy Club
318 West 53rd Street (btw 8th & 9th Aves), NYC
212-757-2323
$10 cover/2-drink minimum

Saturday, October 3rd @ 11pm
Dancing at Epocas
6124 Fifth Avenue, Brooklyn, NY
718-748-3650
No Cover

Sunday, October 18th, 2:30-4pm
Teaching Beginning Bellydance at Greenhouse Holistic
88 Roebling St (near the Bedford Ave stop on the L)
Williamsburg, Brooklyn, NY
718-599-3113
$15 drop-in

Sunday, October 18th, 7-8:15pm
Teaching Beginning Bellydance at Shambhala Yoga & Dance Center
348 Saint Marks Ave
Brooklyn, NY 11238-3661
(718) 622-9956
$15 drop-in

Thursday, October 29th, 7pm-11pm
Dancing, Emceeing and Being Silly in my
PURE Pandemonium Halloween Birthday Benefit supportig
PURE Reflections: Beauty Reimagined
Je'Bon Restaurant
15 St. Mark's Place, NYC
(N/R/W to 8th St, 6 to Astor Pl.)
$10-$20 Donation
One-Item Minimum

Saturday, October 31, 7pm
Dancing with PURE NYC and Queen Mama Donna's Blessing Band
at the Front of the NYC Halloween Parade
Starting at Sixth Avenue & Spring Street, heading north up Sixth Avenue to 21st Street